Directed by Paul Middleditch, it was back to Slovenia for the next installment of the Pure Blonde campaign. Again, we were dogged by unpredictable weather and struggles with the local bureaucracy. Therefore, many “in-camera” shots needed a lot of additional effects work on our return to Sydney. Luckily we did get some fair weather which enabled us to get some great aerials, stills shots and wider shots that were used in the final commercial.
The whole process was wrapped up with some very heavy 3D destruction simulation and plenty of matte painting.